July 4, 2017

Los Angeles plays itself


La La Land (Damien Chazelle, 2016). The cleverness is limited to the title, thank goodness. This musical for a time without musicals is less about smart-alec post-modernism (worst offender: Moulin Rouge) than trying to recover some old innocence. Who wouldn’t fall for its LA dream vistas, its sense of the movie city as a museum of itself? By the end, the songs hardly matter – if you even really noticed them to start with.