March 21, 2017

White trash precariat


American Honey (Andrea Arnold, 2016). How many films have been this concerned with money? Counting it, coveting it, stashing it, earning it, conning people out of it. Andrea Arnolds first non-British film is a road movie through the US midwest  Oklahoma, Missouri, Iowa, South Dakota  that embeds viewers within a group of drifting, nihilistic teens who form a kind of white trash precariat (this was conceived several years ago and it debuted at Cannes last May, but it feels very much like a Trump-era story). As in Arnolds Fish Tank, there is a young woman at the centre (Sasha Lane, above) who is trying to negotiate the rules of the world and identify its predators. Arnolds view is raw, sympathetic, intuitive and not immune to the weird beauty of the entirely ordinary even when her Academy ratio close-ups risk giving viewers claustrophobia.