March 20, 2017

Ten years earlier

The Serpent’s Egg (Ingmar Bergman, 1977). As though Cabaret could be repackaged as a dark and murky nightmare (apartments, corridors, basements, crowded clubs, wet night-time streets) in which Nazi crimes were somehow rehearsed 10 years ahead of time. David Carradine was no Max von Sydow but he was arguably more of a Max von Sydow than David Bowie was in the thematically similar but much sloppier Just a Gigolo a year later.