February 27, 2017

Whatever it is

The Girl on the Train (Tate Taylor, 2016). A terrible shambles about maternal guilt, sexual jealousy and the black hole of alcoholism that demonstrates, again and again, that it takes a special kind of talent (Fincher, Hitchcock, Verhoeven) to make great entertainment out of psychologically lurid material. Perhaps it takes a sadistic or single-minded or simply cold-hearted person. Whatever it is, Tate Taylor is not it.