January 18, 2017

Gone missing

The Captive (Atom Egoyan, 2014). The sad thing about Atom Egoyan is that we measure everything against the heights of his greatest work and find it lacking, time and time again  perhaps he peaked too soon. It doesnt help when a (relatively) new film like The Captive seems to be a pallid, lifeless, poorly-constructed retread of his best films, with their deep explorations of loss and memory. Child abduction, disappearances, guilt, grief: it was all done so much better in The Sweet Hereafter, Exotica and Felicias Journey, which constitute the mature peak of Egoyans career. This has none of the sad, complicated feelings of those three films and Egoyan makes a confusing mess of the tricky timelines  the kind of thing that once came easily to him.