Victoria (Sebastian Schipper, 2015). Three hours in Berlin, in the corner of the morning, that move seamlessly from rave film to crime film to something other. One of the best things about this enormously impressive stunt is that you always believe what happens is possible, which also means it is much more than a stunt. But who was she before and who is she after? Schipper and his writers wisely don’t offer any clues.