Room (Lenny Abrahamson, 2015). Circumspect in important ways and a film about acting that itself depends on great acting. About acting? To me, the centre of the film comes when Brie Larson’s Joy pretends her son is dead to fool her captor, and her son must then play dead, and carefully follow her instructions. In that moment, their world apart is more apart than at any other time, as the outside world opens up to them and us, and that’s the hinge of it all too: the first half of the story was easier for her to bear and the second half is easier for the boy, who seems so surprisingly wise and grave.