May 7, 2016

A collector of invented stories


Mysterious Object at Noon (Apichatpong Weerasethakul, 2000). For fans, this early experimental work, shot roughly on black and white video and blown up for release, has a raw appeal and there are some trace elements of later Weereasethakul masterpieces in it: that sudden, dream-like appearance of the supernatural in the everyday, which is barely even remarked upon as strange or unlikely. To us, the films feel like a version of Thai folklore; it’s hard to know how they seem at home, but one of the revealing and ingenious things about Mysterious Object at Noon is how Weerasethakul invents and develops his own folklore that could pass as “tradition” to us. Equally, though, the films are also open to tough social realities.