“Bergman has been remarkably frank in avowing the confessional nature of Hour of the Wolf, which he called an open display of ‘the sore on my soul’. During ‘long periods in my life’, he told a startled interviewer, real ‘demons and bad wolf-hours’ had plagued him … Some of the demons – Bergman has specifically mentioned the old lady who removes her face and the creature who walks on the ceiling – entered the film directly from his recurring dreams.”
The Passion of Ingmar Bergman, by Frank Gado.
“Normally the Anglo-Saxon approach to a ghost story – even in the best cases, like MR James – is an approach that sees the rational clashing with the supernatural. On the other hand, in Crimson Peak there’s a full-blown acceptance of the ghosts being real from the first ten seconds of the film. There is a postulate that opens the movie that says, ‘Ghosts are real. This much I know.’ That’s a very Mexican thing to say.”Guillermo Del Toro in Sight and Sound, November 2015.