The Congress (Ari Folman, 2013). The entirely reasonable psychedelic shifts of Waltzing with
Bashir go much, much further in The Congress, breaking out past the limits of time, space, history and
identity towards a counter-cultural science-fiction theory of everything. Brave, serious, dazzling and entirely unreasonable. Pictured: Robin Wright, star and subject, in a preparatory moment with a helpful guide.