December 21, 2014


Chloe (Atom Egoyan, 2009). A going through the motions erotic thriller set in a cold world of Toronto modernism where only some of the location scouting – all the glass walls and windows that provide constant views of others – suggests the rich, dark, depressing mood of suspicion and surveillance in the early films that Egoyan has still not improved upon. Or is this depressing in a different way? From Wikipedia: “Despite its mixed critical reception, Chloe made money than any of Atom Egoyan’s previous films.”