November 10, 2014

Long nights, early mornings


The Great Beauty (Paolo Sorrentino, 2013). When you realise too late that you wasted 40 or more years. It seemed that Marcello Mastroianni in La Dolce Vita – the obvious model, along with La Notte and Fellini’s Roma – at least had time on his side. The same world, glittering, contemporary and hollowed-out. Once an unidentified sea monster on a beach suggesting something unfathomable, now a wrecked ocean liner. Once a holy statue soaring over Rome, now an ancient saint-to-be crawling up Roman steps on her knees.