April 15, 2014


When I was shooting Walkabout, there was a scene where the young boy is in a state of shock and sadness as he sees two hunters shoot a buffalo. The boy gazes at the killing of the animal, and with the simple reversing of the animal falling we put it back up again and intercut it with the boy staring. It becomes a beautiful moment in the thoughts of a child. The thrill of what can be done with the retained moving image and linking it to our behaviour in life has never left me. ‘If only we could put the clock back’ – isn’t that what’s often said? Well, in film we can.
Nicolas Roeg, from The World is Ever Changing (Faber and Faber, 2013)