of Jesse James by the Coward Robert Ford (Andrew Domink, 2007). Second time. Still the mythic
deconstruction, like a film that’s all endings, and the sombre realist detail. Notice how the
narrator switches perspectives and is close to both men ahead of their deaths.
Casey Affleck is still uncanny as the assassin or coward: naïve, vulnerable,
raw, brazen, resentful, unstable, his emotions largely unreadable, and his acting without any
appearance of obvious strain.